Broadway Producers Are Looking to America's Heartland for the Next Megahit

When the producers of "Newsies" announced its Broadway run, it wasn't the first time that fans of the cult-favorite 1992 film on which the stage musical is based had reason to get excited. The show premiered at New Jersey's Paper Mill Playhouse in September, and it's one of several productions transferring to Broadway this season from regional theaters."Regional theaters offer a nurturing environment and an economical alternative that allows a really introspective look on the piece itself," says Mark S. Hoebee, Paper Mill's producing artistic director. "You want to put enough money into it that you can provide the production that the show deserves, but you don't want to overspend to the point where you may be killing the future of the project."Regional theater has always been a breeding ground for Broadway hits, especially in recent years, and this season shows such as "Chinglish" and "Hugh Jackman: Back on Broadway" started outside NY. Even a producing behemoth like Disney Theatrical Productions, whose long-running Broadway hits include "The Lion King" and "Mary Poppins," chose to debut "Newsies" away from the glare of the spotlight."The problem with developing and opening cold in NY is the artists don't have a lot of room to breathe," says producer Ken Davenport, whose current Broadway shows are "Chinglish" and "Godspell." "They're under a lot of different economic constraints and time constraints that don't allow them to do their best work. So we put them in places where they can have a little more breathing room."Gettin' Out of Town The tradition of shows opening outside the city goes all the way back to musical theater's beginnings, when an out-of-town tryout would precede the move to Broadway. In recent years, shows such as "Wicked" and "The Addams Family" have used this model, but this path is becoming increasingly difficult and expensive, says Davenport, and leads audiences to make certain assumptions."The moment you're tagged as an out-of-town tryout and don't come right in, people go, 'Oh, they obviously have more work to do,' " Davenport explains. "Musicals are big things, and sometimes it takes them a long time to get where they need to go."Jeff Calhoun, director of the Paper Mill and Broadway productions of "Newsies," agrees that the regional environment is more conducive to creating new work. "The concentration is really on the work and nurturing the artist," says Calhoun, who also directed the regional and Broadway incarnations of "Bonnie & Clyde." "As we know, on Broadway that's not necessarily the case. It's more about putting a star into a vehicle, whether or not they're the best actor for the role."Part of what makes regional theaters nurturing is their long-term relationships with artists, says Michael Rosenberg, managing director of California's La Jolla Playhouse. La Jolla produced the world premiere of "Bonnie & Clyde," and a Broadway-bound revival of "Jesus Christ Superstar" is playing there now. The theater has created 18 works that have transferred to Broadway.Of course, not everything artists produce is going to be great, but letting them try new things is necessary to maintain the relationship. "If you're going to have big rewards, you have to take big risks," Rosenberg says. "And if you take big risks, sometimes you're going to fail in a really big way."Theaters like La Jolla have been tagged "launching pads" for potential Broadway shows, says Davenport, and in the Internet age, anyone can learn all about a production from the moment the curtain falls on opening night. But Rosenberg doesn't feel the pressure."Trying to guess what should be on Broadway is not what we do, especially when you look at how long it takes to develop these projects," he says, adding that "Bonnie & Clyde" played Florida's Asolo Repertory Theatre before moving to Broadway last month. "For some projects, Broadway is not the ultimate goal."Audience Response In fact, the producers of "Newsies" had many options other than Broadway, such as licensing the material to schools or taking it on tour, as Disney has done with shows like "Aladdin" and "High School Musical." What drove "Newsies" to the Great White Way was audience response."It was the reaction of the press and the patrons to 'Newsies' that gave [the producers] the confidence that it was ready to move into NY," says Hoebee.Davenport thinks the audience's response is the most important benefit of a regional run, as it gives information that's crucial to the show's development. An out-of-town audience won't always react to a show the same way a NY audience will, but regional audiences are sometimes a good barometer for how tourists will respond."Sixty-five percent of the Broadway audience is from out of town," Davenport points out. "Sometimes an out-of-town audience can give you a much better idea of what the tourist audience is going to say about your show."Creative Process Once a show is set for Broadway, there will often be cast and other creative changes before it transfers, as commercial producers will frequently seek a marketable star to draw ticket buyers rather than trusting the work itself.Jennifer Lim, now starring in "Chinglish," has been with the project from the beginning and knew she could lose her role at any time. "It's business," she says. "It would be a waste of my energy to take things personally that have nothing to do with me. If they had decided they wanted to cast a star in the role, I'm not a star. I'd rather focus on the things that I can do instead of all the things that I can't."Calhoun says there will be casting changes when "Newsies" comes to Broadway. Jeremy Jordan, who starred in the Paper Mill production, is currently playing Clyde Barrow in "Bonnie & Clyde" and might not be available for the Broadway run of "Newsies," but Calhoun can't confirm casting specifics."It's really just because it's in the best interest of the show," he says of casting changes. "My job is the same no matter who the actor is."As an actor, Lim says, one of the benefits of being with "Chinglish" for its entire development is that she became so familiar with the play, she was an asset to playwright David Henry Hwang and director Leigh Silverman as they worked to improve it. Davenport adds that when a show starts regionally, some of the smaller roles can be filled with local hires, giving them the opportunity to work with a Broadway-caliber creative team.Whether a production is going to a regional theater or to Broadway, says Calhoun, putting it up is the same: "There's nothing you do on Broadway that you didn't do in your high school. You care just as much about a regional show as you do a Broadway show, if not more. In the regional, you're trying to get it to NY."Producing a successful show takes more than careful planning, however. Sometimes the stars really do need to align."It's our version of a kid playing basketball in his driveway and thinking, 'Maybe I'll play for the Boston Celtics someday,' " says Davenport. "I don't think anyone does a show in this country without some dream of it ending up on Broadway." By Suzy Evans December 14, 2011 "Newsies" at Paper Mill Playhouse PHOTO CREDIT T. Charles Erickson When the producers of "Newsies" announced its Broadway run, it wasn't the first time that fans of the cult-favorite 1992 film on which the stage musical is based had reason to get excited. The show premiered at New Jersey's Paper Mill Playhouse in September, and it's one of several productions transferring to Broadway this season from regional theaters."Regional theaters offer a nurturing environment and an economical alternative that allows a really introspective look on the piece itself," says Mark S. Hoebee, Paper Mill's producing artistic director. "You want to put enough money into it that you can provide the production that the show deserves, but you don't want to overspend to the point where you may be killing the future of the project."Regional theater has always been a breeding ground for Broadway hits, especially in recent years, and this season shows such as "Chinglish" and "Hugh Jackman: Back on Broadway" started outside NY. Even a producing behemoth like Disney Theatrical Productions, whose long-running Broadway hits include "The Lion King" and "Mary Poppins," chose to debut "Newsies" away from the glare of the spotlight."The problem with developing and opening cold in NY is the artists don't have a lot of room to breathe," says producer Ken Davenport, whose current Broadway shows are "Chinglish" and "Godspell." "They're under a lot of different economic constraints and time constraints that don't allow them to do their best work. So we put them in places where they can have a little more breathing room."Gettin' Out of Town The tradition of shows opening outside the city goes all the way back to musical theater's beginnings, when an out-of-town tryout would precede the move to Broadway. In recent years, shows such as "Wicked" and "The Addams Family" have used this model, but this path is becoming increasingly difficult and expensive, says Davenport, and leads audiences to make certain assumptions."The moment you're tagged as an out-of-town tryout and don't come right in, people go, 'Oh, they obviously have more work to do,' " Davenport explains. "Musicals are big things, and sometimes it takes them a long time to get where they need to go."Jeff Calhoun, director of the Paper Mill and Broadway productions of "Newsies," agrees that the regional environment is more conducive to creating new work. "The concentration is really on the work and nurturing the artist," says Calhoun, who also directed the regional and Broadway incarnations of "Bonnie & Clyde." "As we know, on Broadway that's not necessarily the case. It's more about putting a star into a vehicle, whether or not they're the best actor for the role."Part of what makes regional theaters nurturing is their long-term relationships with artists, says Michael Rosenberg, managing director of California's La Jolla Playhouse. La Jolla produced the world premiere of "Bonnie & Clyde," and a Broadway-bound revival of "Jesus Christ Superstar" is playing there now. The theater has created 18 works that have transferred to Broadway.Of course, not everything artists produce is going to be great, but letting them try new things is necessary to maintain the relationship. "If you're going to have big rewards, you have to take big risks," Rosenberg says. "And if you take big risks, sometimes you're going to fail in a really big way."Theaters like La Jolla have been tagged "launching pads" for potential Broadway shows, says Davenport, and in the Internet age, anyone can learn all about a production from the moment the curtain falls on opening night. But Rosenberg doesn't feel the pressure."Trying to guess what should be on Broadway is not what we do, especially when you look at how long it takes to develop these projects," he says, adding that "Bonnie & Clyde" played Florida's Asolo Repertory Theatre before moving to Broadway last month. "For some projects, Broadway is not the ultimate goal."Audience Response In fact, the producers of "Newsies" had many options other than Broadway, such as licensing the material to schools or taking it on tour, as Disney has done with shows like "Aladdin" and "High School Musical." What drove "Newsies" to the Great White Way was audience response."It was the reaction of the press and the patrons to 'Newsies' that gave [the producers] the confidence that it was ready to move into NY," says Hoebee.Davenport thinks the audience's response is the most important benefit of a regional run, as it gives information that's crucial to the show's development. An out-of-town audience won't always react to a show the same way a NY audience will, but regional audiences are sometimes a good barometer for how tourists will respond."Sixty-five percent of the Broadway audience is from out of town," Davenport points out. "Sometimes an out-of-town audience can give you a much better idea of what the tourist audience is going to say about your show."Creative Process Once a show is set for Broadway, there will often be cast and other creative changes before it transfers, as commercial producers will frequently seek a marketable star to draw ticket buyers rather than trusting the work itself.Jennifer Lim, now starring in "Chinglish," has been with the project from the beginning and knew she could lose her role at any time. "It's business," she says. "It would be a waste of my energy to take things personally that have nothing to do with me. If they had decided they wanted to cast a star in the role, I'm not a star. I'd rather focus on the things that I can do instead of all the things that I can't."Calhoun says there will be casting changes when "Newsies" comes to Broadway. Jeremy Jordan, who starred in the Paper Mill production, is currently playing Clyde Barrow in "Bonnie & Clyde" and might not be available for the Broadway run of "Newsies," but Calhoun can't confirm casting specifics."It's really just because it's in the best interest of the show," he says of casting changes. "My job is the same no matter who the actor is."As an actor, Lim says, one of the benefits of being with "Chinglish" for its entire development is that she became so familiar with the play, she was an asset to playwright David Henry Hwang and director Leigh Silverman as they worked to improve it. Davenport adds that when a show starts regionally, some of the smaller roles can be filled with local hires, giving them the opportunity to work with a Broadway-caliber creative team.Whether a production is going to a regional theater or to Broadway, says Calhoun, putting it up is the same: "There's nothing you do on Broadway that you didn't do in your high school. You care just as much about a regional show as you do a Broadway show, if not more. In the regional, you're trying to get it to NY."Producing a successful show takes more than careful planning, however. Sometimes the stars really do need to align."It's our version of a kid playing basketball in his driveway and thinking, 'Maybe I'll play for the Boston Celtics someday,' " says Davenport. "I don't think anyone does a show in this country without some dream of it ending up on Broadway."

Relativity Enters Distribution Partnership With Germany's Senator Entertainment

NY Times reporter Brian Stelter has something in common with Anthony Weiner. Like the disgraced congressman, Stelter unintentionally broadcast a private direct message -- or "DM" -- on Twitter to his entire Twitter feed. (In Stelter's case, that's 97,000 followers-and-counting).our editor recommendsAlec Baldwin's Twitter Account 'Deactivated' After 'Words With Friends' DebacleChristiane Amanpour to Leave ABC's 'This Week'; Launch CNN Show Demi Moore Explains Why She'll Stay 'Mrs. Kutcher' On TwitterKeith Olbermann Will No Longer Engage With His Twitter Followers Unlike Weiner, Stelter's DM was not salacious. On Tuesday, the journalist -- who covers media and television for the Times -- tried to confirm Christiane Amanpour's exit from ABC's This Week by sending a DM to a source on the social-networking site. Instead, he majorly messed up and made it public. The offending tweet: "I'm hearing that Amanpour is formally out of 'This Week' -- though only from a single source -- are you hearing the same?" In a further display of whoops, he even posted his work phone number. Realizing his mistake, Stelter immediately tweete a response to his flub: "Well, that was embarrassing. That was supposed to be a DM." His network largely supported him, with the Washington Post's Erik Wemple tweeting: "Just good reporting there. Nothing to be ashamed of." In the end, the snafu backfired in a good way: Stelter was able to find more sources through Twitter to match his Amanpour intel and publish an official story. "3 Reasons I didn't delete accidental tweet: people had already read it; some had retweeted it; it needed to be explained," Stelter said in a later post. As media reporter Michael Calderone notes at the Huffington Post, Stelter's mistweet indirectly spread word of Amanpour's exit, confirming months of rumors that she would be leaving the Sunday morning news program -- and prompting ABC to issue a statement from Amanpour hours later. Stelter, who's said he wished he could live in the Twitter feed, was apparently too busy reporting -- and tweeting about it -- to respond to requests for comment. PHOTO GALLERY: View Gallery Hollywood's Twitter Feuds Related Topics Twitter Anthony Weiner

The Astounding Spider-Guy will receive a awesome new poster

[brightcove]1069347403001[/brightcove]All things have been somewhat quiet round the Amazing Spider-Guy front recently (well, unless of course obviously you're an passionate Pez fan).But that's changed today while using unveiling from the awesome new poster, which clearly takes a leaf from Batman's stylish book, and marks a departure within the gaily-coloured promotions of Mike Raimi's era.The poster, featured on Superhero Hype, shows Peter Parker perched nimbly around the wall, along with his shadow creating an legendary arachnid design. That tagline helps to make the film's intentions pretty apparent too...See the poster entirely below:The Astounding Spider-Guy opens on 4 This summer time 2012, which surely means there needs to be considered a completely new trailer not remote.

Annual John Ford Ireland event set

EastwoodThe Irish Film and television Academy as well as the John Ford Estate are creating the John Ford Ireland Symposium, an annual event praising the existence and work in the legendary director and also the ongoing relation to the. The inaugural confab, due to exist in Dublin in June, features the very first people receiving the event's John Ford Award is Clint Eastwood, who recognized very good from Michael Collins, Ireland's ambassador for the U.S., and IFTA chief professional Aine Moriarty, inside a reception in Burbank on 12 ,. 6 attended by people of Ford's family. The planned symposium, which will add a competitive component, may have a retrospective of Ford's films, a spotlight on Eastwood's work, plus tests, shows, discussions, master classes, lectures and public interviews designed to attract public and industry participation from around the world. Requested guest experts will probably be selected according to either Ford's influence on their own work, their connection with filmmaking or utilizing their working relationship while using John Ford Award recipient. In 2013, John Ford Ireland will introduce a scholarship with eight first-time filmmakers from around the world selected to learn the Ford Film School. Ford, an Irish-American whose parents were elevated round the west coast of Ireland, will be a cinema pioneer who made 136 films within the nearly 60-year career. He stressed his heritage such films as "The Quiet Guy," starring John Wayne. Contact Bobbie Whiteman at bobbie.whiteman@variety.com

FCC Lowers the Volume on TV Commercials

FCC Loud commercials will be leaving your TV quietly - thanks to the FCC.On Tuesday, the Federal Communications Commission passed the 2010 Commercial Advertisement Loudness Mitigation (CALM) Act that requires commercials to be kept at the same volume as the programs they're airing around. The rule will become effective a year from now, on Dec. 13, 2012, to allow stations and multichannel video programming distributors to be in full compliance.Get the rest of today's newsIn a statement, the FCC said it "today took a major step towardeliminating one of the most persistent problems of the television age - loud commercials." Though viewer complaints about the volume of commercials have diminished since 2009, the FCC has fielded them for years and the group expects the number of grievances to drop greatly once the rule is implemented.Are you happy you won't have to reach for the remote anymore during commercial breaks?

Humane Society picks doc

The Humane Society from the U . s . States has drawn on "Cages of Shame" by Martin Guinness since it's sixth champion from the Animal Content in Entertainment Documentary Grant. The society introduced the champion from the $20,000 grant on Thursday, observing it had received almost 90 distribution from over 20 nations. "Cages of Shame" is really a feature-length documentary in regards to a pursuit to save moon bears from the bile farm in China through advocate Jill Robinson. "Cages of Shame" is read by Peter Coyote and is incorporated in the final stages of publish-production. The society granted second spot to "Your Eyes of Thailand," directed by Windy Borman, which concentrates on the job of the vet devoted to rehabilitating wild tigers hurt by landmines. Previous readers from the grant have incorporated "The Elephant within the Family Room," a documentary about uncommon animal possession by Michael Webber, and "One Lucky Elephant," directed by Lisa Leeman. Contact Dork McNary at dork.mcnary@variety.com

Survivor's Cochran: People Reach Me and Let Me Know Im Annoying

John Cochran John Cochran possibly was probably the most awkward contestant from the a lot more than 300 ever to compete on Survivor. The Harvard law student showed up around the island so pale he made an appearance translucent. He considered 138 pounds, carried a nerdy sweater-vest and glasses, and used words his teammates could barely comprehend. However Cochran made among the greatest moves within the game's history, and everything transformed. Once the tribes merged throughout the show's eighth episode, he put loyalty towards the wind, and became a member of forces using the opponents. Ultimately, the dangerous move most likely cost him a hefty $a million (he was told to go home Wednesday evening), but Cochran states it had been never concerning the money anyway. "First of all I am a fan of Survivor. In senior high school I authored a Survivor e-newsletter and used buffs to college,Inch he states. "So when I discovered I'd managed to get on the program...it had been unbelievable!" The 24-year-old talked with TVGuide.com about his "bromance" with Coach, who he really wants to win, as well as an experience he describes because the most "surreal moment of my existence." You are hands lower the greatest Survivor fanboy to be on the program. When have you become so obsessed?John Cochran: I am not really a camping enthusiast. I do not worry about sightseeing develop a shelter. I updated in initially because I figured, "these folks will be residing in these horrible conditions. And perhaps someone's likely to die! And it will likely be fascinating." But the overall game moved focus and today there's an social dynamic that produces an excellent mental study. Could it be true you've each and every tribal aficionado?Cochran: I've about 15 buffs. And also the huge most of people don't own just one aficionado. So I am like, really beating them. It has to happen to be pretty exciting that you should satisfy the legend that's Shaun Probst.Cochran: Are you able to believe I spoken to Shaun and that he knows my title? I have made eye-to-eye contact with him! It's unbelievable in my experience. It is a thrill! Which was one of the most surreal moments of my existence, meeting Shaun and speaking to him. I believe he's fantastic. All I would like is his approval. Social TV: How Survivor's Shaun Probst bridged the space between CBS and it is audience You've made among the greatest moves in the overall game by tossing your tribe underneath the bus and joining Upolu. Looking back, would you're doing so again? Cochran: I still think I'd have turned. My mistake wasn't flipping. It had been my follow-through after. I acquired really complacent. There is a time of 5 or 6 days once i turned where I had been like, "existence is nice! I acquired your final four promise from Albert, Sophie and Coach. These folks appear to love me. I do not have to do anything whatsoever.Inch However I most likely must have spent that point feeling out who the vulnerable everyone was around the Upolu tribe. How genuine was your relationship with Coach?Cochran: I really hope our friendship is available outdoors the area. But maybe if you achieve an opportunity to speak with him you are able to request him. I've no hard feelings about anybody Coach particularly. He's a wise, funny guy. Individuals are seeing much more of this season. He's still a bit cool together with his whole "access it the knees and pray" factor, though. Talking about cool, let us discuss Brandon.Cochran: I attempted to utilize Brandon, but he's super inflexible to the stage of, like, bizarreness. The entire "I am unable to tell wrongInch factor will get old really fast. And the refusal to evolve ... the overall game is all about adjusting to situations, to ensure that was frustrating. Survivor's Keith addresses gossips about dating Whitney Jim on laying about his profession Who will you election for?Cochran: It comes down lower to the way the runners up can plead their situation in final Tribal Counsel. If they'd like to create a compelling argument why they should win. I believe you've got a shot at getting fan favorite.Cochran: Are you currently kidding? I've not become player each week once! I can not even win Sprint's "Player each week.Inch That's surprising! I believed people found you endearing.Cochran: Many people that do not much like me literally reach me and say, "You are annoying." To my face! And That I just say, "You realize? I do not think I am that annoying." So you have been getting recognized?Cochran: I am sufficiently strange-searching so yeah, I am identifiable. It's fun to speak to people who like something I already enjoy. It's a bit strange, but it is a thrill!

Martha Stewart Deal With J.C. Penney Annoys Macy's

20th Century Fox Television co-chairman Dana Walden lands at No. 5 on the Hollywood Reporter's Women in Entertainment list this week. In February, she'll celebrate 20 years with the company.our editor recommends'Glee': Chord Overstreet Offers 5 Things to Know About Sam's ReturnTV Ratings: 'Glee' and 'New Girl' Hit Season Lows for Soft Fox Win, Michael Buble Premieres a Modest 'Christmas'20th Century Fox TV Studio Execs Talk Tim Allen's Return to TV, Seth MacFarlane's 'Flintstones' Reboot (Q&A)THR's Women in Entertainment 2011: Power 100 Her accomplishments: Too many to count, but for starters, there's the Emmy Award-winning Modern Family, the No. 3 show of the fall season among adults 18-49 (second only to football and Two and a Half Men);How I Met Your Mother, up 24% in total viewers since this time last year; and Sons of Anarchy, FX's highest-rated series ever. Not to mention 20th TV has five new shows on four networks this year, New Girl, Terra Nova, Last Man Standing, American Horror Story and Homeland, each showing strong strides in viewership. And finally, there's The Simpsons, broadcasting its 500thepisode in February. All told, Walden looks after 34 shows currently in production. PHOTOS:The Scene at THR's 2011 Women In Entertainment Power 100 Breakfast But even with beloved classics like The X Files and Buffy the Vampire Slayer under her belt, there's no denying the TV powerhouse that is Glee. Now in its third season on Fox, it remains the No. 1 scripted hour on television among 18- to 34-year-olds, while the worldwide Glee brand, which includes a record-breaking tour, 36 million songs sold on iTunes, 11 top-selling albums and a theatrical concert film, serves as an awe-inspiring example of cross-platform marketing at its finest. That's not to say the show hasn't taken its licks, however, and this year more than ever thanks to casting confusion and an occasional dip in the numbers -- like this week's episode which saw a 9 percent decline. It's backlash the press-savvy Walden, herself a former publicist, can't deny, but she doesn't make any apologies, either. "I don't think anything in the history of the medium could burn as brightly as Glee and not experience some period of time when the show is not the golden child," she tells the Hollywood Reporter. "It will be again. I fully believe in this series. I think that [co-creator] Ryan [Murphy] and his team have done exactly the right thing -- you put your head down, tell great stories and continue to produce an enormously entertaining show." PHOTOS: Behind the Scenes of Fox's 'New Girl' Walden contends that because the criticism is mostly media-based, it doesn't speak to the passion of the audience. "They are connected to these characters," she says. "They read about the actors and the characters online, they collect the DVDs, they buy the merchandise, they are part of a community that connects with each other all centered on one TV show... At some point, it won't feel sexy to take shots at Glee anymore." Furthermore, where the ratings are concerned, Walden insists she and her fellow chairman Gary Newman aren't worried. "When you look at the live plus three and the live plus seven ratings, the show is still doing in excess of a five rating," she says. "Any company would be thrilled to have that show. I am not concerned about the ratings." VIDEO: Gary Numan, Dana Walden at 'Glee' 3D Premiere Still, working with creatives like Murphy does come with challenges, and in a way, it's what Walden lives for. "There's a whole emotional component to working with creative individuals which is unlike most businesses," she says. "I am not interested in working with a writer who wants to take every one of my notes. I'm looking for someone who will be thoughtful about my input and respect that we are partners, [but] I also want our creators to be emotional, passionate people because those are the people who tell the best stories. Ryan and I have an incredible relationship. We have a tremendous amount of trust for each other. I trust his instincts as much as anyone I have ever worked with. He has this incredible sense of what's in the zeitgeist." STORY:Anne Sweeney Tops THR's 2011 Women in Entertainment Power 100 List What is difficult about working with Murphy? "Saying no to him," Walden laughs. "He always gets the benefit of the doubt with me. Of the ideas he and I discuss, probably 90% of them I would pursue in some way. He's such a hard worker and so clear about his vision -- that's exactly what you want from a creator. And when he's set on something, he believes in it completely. Again, it's how I prefer it. I would rather work with someone like Ryan than someone who is purely pragmatic." It's a formula that's led to Walden's proudest -- and busiest -- year yet. "I cannot imagine a time in the company's history where we were experiencing success on as many different platforms as we are right now," she says. "But I've been very happy in my job. I've worked at this company for a long time and it's been a tremendous experience. Certainly this has been an incredible year for me personally." PHOTO GALLERY: View Gallery THR's 2011 Women in Entertainment Power 100 Related Topics Glee Ryan Murphy The Simpsons Dana Walden Women in Entertainment Terra Nova New Girl American Horror Story Homeland Women in Entertainment 2011

Creating a better application

Super 8Some fans preferred this application to J.J. Abrams pic. Customers take pictures with specialized filters (like infrared, x-ray and chromatic). Individuals pictures may then be 'converted' to some movie, which may be tested within the application. It assisted set a dark tone for that film and make excitement without compromising plot points.HIGHLIGHTS10:30 The Brand New TV Viewing Party. Loudspeakers: Steve Andrade, senior Vice president/GM digital development, NBC.com Colin Helms, Vice president Digital, MTV Systems Richard Bullwinkle, chief evangelist, Rovi Scott Maddux, senior Vice president product, Nielsen Tyler Slocum, Vice president product management, DirecTV. Moderator: Andrew Wallenstein, Variety 11:15Keynote 2:00 Making money with the 2nd Screen . Loudspeakers: Seth Ta pper, Boss , Second Screen Systems Mark Wenger, director of products, PayPal Ajay Shah, Boss & co-founder, TVplus Steve Schuler, sr. marketing manager, mobile & connected products, Yahoo Tr evor Doerksen, Boss & founder, Mobovivo. Moderator: Ryan Lawler, movie editor & staff author, GigaOM. 4:30 5:15 pmThe Designers. Loudspeakers: Dustin Callif, founder, Tool Matt Kozlov, Boss, Creative Mobile Labs/CAA Alex Barkaloff, Lionsgate Matt Kennedy, leader, 1K Galleries. Developer Track highlights 2:45 Web versus. Native Applications . Loudspeakers: Serta Mechem, Founder, First Publish Galleries Juan Reyes, CMO, BluFocus Naushad Huda, Boss Textopoly. 3:45 Synchronized Streaming . Loudspeakers: Frederick Baribeau, mind of finance & procedures, Flingo David Johnson, senior Vice president marketing, Shazam Robert Gekchyan, director, product, Technicolor Scott Rosenberg, co-founder, Umami Contact the range newsroom at news@variety.com

Gloria Estefan in Foretells Guest-Star on Glee

Gloria Estefan An worldwide celebrity may be moving to Lima Levels Adjacent. Grammy champion Gloria Estefan is within discussions to guest-star with an approaching The month of january episode of Glee, EW reviews. She'd take part in the mother of Santana (Naya Rivera), who lately arrived on the scene from the closet. Santana stated that her parents -- unlike the disapproving abuela we have already met -- were encouraging of her. Is Ough Martin going to Glee? Estefan's participation will be the second bit of great news for Latin music fans. On Tuesday, it had been reported that Ough Martin is within foretells play McKinley High's The spanish language teacher, a publish that both Mr. Schue (Matthew Morrison) and Carol Holliday (Gwyneth Paltrow) have filled. Around the giant screen, Estefan made an appearance in Music from the Heart making a cameo appearance in Marley & Me. Her TV credits range from the Cinemax movie For Love or Country: The Arturo Sandoval Story, guest-coaching on The American Idol Show and also the 1998 special, Elmopalooza! Glee: Santana arrives! Would Estefan create a good mother to Santana? Which of her tunes do you want to see carried out?